This inquiry bounded along as we leapt from word to word connected with the Latin root salire. We had begun our inquiry with resilience sometime ago when we considered adjectives that could be applied to Odysseus, the ultimate rebounder who springs back from every adversity placed before him. We wondered about the difference between persistence and resilience. On Friday we examined resilience once again reviewing the morphemes and thought about the Latin root salire to leap to bound. We then leapt into an inquiry to uncover all the other base elements that sallied forth from this productive root.
We took a slight digression from our ‘salire‘ investigation to inquire into the possibility of <*-tion> as a suffix, posited by one student. We examined action and interruption as part of this evidence. The students, despite my misspelling of interruption (!), discovered a new prefix <inter->.
We wondered about sally:
We, could have capered further searching for proof of <inter-> and while this would have been another interesting digression, we kept the focus on uncovering the other bases from ‘salire’.
Saltation was interesting. The OED notes four senses; ‘leaping and bounding’ as in the entertaining example from The Pall Mall Gazette of, September, 1883: ‘It is not every flea… that is gifted with the power of saltation’ . ‘Saltation’ also has a sense of ‘abrupt movement or change’ and the OED cites Emerson, 1854 : ‘The number of successive saltations the nimble thought can make‘ . The word too has a geological meaning of leaping and bouncing as in particles of sand forming sand dunes (watch saltating gravel and sand here ) even the sense of the ‘pulsating, spurting forth of blood‘ .
Saltation: the quirky quadrille
However, it’s the specialized application to dance in general and one dance in particular, that I love. From here I would like to caper to a poem celebrating saltations and in particular the quirky quadrille, in Lewis Carroll’s Lobster Quadrille from Alice in Wonderland and Through The Looking Glass. Read the poem below:
“Will you walk a little faster?” said a whiting to a snail.
“There’s a porpoise close behind us, and he’s treading on my tail.
See how eagerly the lobsters and the turtles all advance!
They are waiting on the shingle–will you come and join the dance?
Will you, won’t you, will you, won’t you, will you join the dance?
Will you, won’t you, will you, won’t you, won’t you join the dance?
“You can really have no notion how delightful it will be
When they take us up and throw us, with the lobsters, out to sea!”
But the snail replied “Too far, too far!” and gave a look askance–
Said he thanked the whiting kindly, but he would not join the dance.
Would not, could not, would not, could not, would not join the dance.
Would not, could not, would not, could not, could not join the dance.
“What matters it how far we go?” his scaly friend replied.
“There is another shore, you know, upon the other side.
The further off from England the nearer is to France–
Then turn not pale, beloved snail, but come and join the dance.
Will you, won’t you, will you, won’t you, will you join the dance?
Will you, won’t you, will you, won’t you, won’t you join the dance?”‘
Below. enjoy the gambolling seaside cavort from one of the best film adaptations of Carroll’s classic. This version was directed by Jonathan Miller, polymath extraordianaire: a satirist, film, theatre and opera director, medical consultant, sculptor and writer. He was a shining star in Beyond the Fringe, along with Peter Cook, Dudley Moore and Alan Bennett, ‘the seminal show’ that sparked the satire boom of the 1960’s and ‘breathed fresh life’ into British comedy. This 1966 version of Alice in Wonderland shot in black and white avoids all animal creations, they are merely hinted at in the movements made by the actors. Miller’s film was controversial in that it was not directed at children, but rather at readers who knew the text well. The cast is made up of some of Britain’s most esteemed actors: Alan Bennett, Peter Cook, John Bird, Peter Sellers, John Gielgud and Michael Redgrave, Leo McKern, Michael Gough, Wilfred Lawson, Wilfrid Brambell – and the journalist Malcolm Muggeridge. The dialogue is recorded in voice overs emphasizing a dream like quality and ‘distancing effect’. The music played by Ravi Shankar alludes to the British colonialism of the period. Watch the whimsical rendition of The Lobster Quadrille below:
In a recent BBC interview in regard to his direction of Rutherford and Son, Miller spoke about acting in plays: “It’s no accident that the name of the game is ‘play’ and it has that sort of pretending people that you’re not. ‘Play’, pretending to be people that you’re not and yet who turn out to be people who might be”.( BBC News Interview on directing at 79). This is precisely what Miller achieved in his Alice interpretation.
I was delighted on Saturday when working with a groups of students at the Global Issues Network conference across town, that the understanding and application of resilience came again to the fore. One student when asked to discuss what traits made up a global citizen insisted on the word resilience:
These students had read Linda Sue Park’s novel A Long Walk to Water and were deeply moved by this and the documentary God Grew Tired of Us about the thousands of young boys, ‘The Lost Boys’ forced to flee across South Sudan.
Salva Dut, the inspirational protagonist of Park’s biography embodies resilience. Salva at 11-years old, while in school was told to run when his teacher heard the sounds of guns. He and other students were told to hide and under no circumstances to return to their village. He became one of thousands of other young boys fleeing. We reflected on the word refugee, from Latin fugere to flee and saw just what this fleeing meant for young Sudanese. Salva reached the comparative safety of an Ethiopian refugee camp. However later, ‘as a teenager, was forced to flee once again. He led 1500 “Lost Boys” hundreds of miles through the Southern Sudan desert to the Kakuma refugee camp in Kenya. In 1966 Salva was relocated to the United States. Today he considers himself fortunate and wants to bring this sense of good fortune to the people of South Sudan. He now leads Water for South Sudan, Inc., the non-profit organization he founded in 2003. Drilling wells transforms lives and provides for the first time access to clean water. Once wells are drilled, schools follow and this transforms the lives of many, especially girls who no longer have to walk daily to find and carry water.
Read what Salva wrote as a message to our grade 7 students when two went up to him and asked him what he would like us to remember:
So what have the students learned from this inquiry so far?
- A root can produce more than one base element in present day English, and from that base element a host of other words
- The root meaning echoes through current words- we could all see how saute connects to leaping
- Words come into English at different times, some directly from Latin others via a more circuitous root, some newer entries into English such as saute remain as yet unchanged.
- Bases canbe homographic- that is have the same spelling but different roots, such as the free base element <salt> and the bound base element <salt> as we’ve seen in saltation.
- Knowing the root and seeing the connection with current base elements and the resulting words flowing from this helps students to make conceptual connections between different areas of knowledge. In this brief inquiry we have discovered connections between physical education ( somersault- interesting combination of Provencal sobre and Latin salire) geology, dancing and medicine (saltation), cooking (saute) and psychology (resilience). Still more to discover- we shall dance on!
So that’s it today from this Whiting, while not a graceful performer of saltations, is nevertheless always asking others to “Walk a little faster”!
Further Frolicking Diversions
Read more about Miller’s Alice in Wonderland.
Scroll down the entry on Topsy the Elephant to find two entertaining posters of the resilient, self promoting Forepaugh and his rival P.T.Barnum.